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A Nadda |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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Medium speed Arab song in G hijaz, uses Saidi rhythm primarily. |
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A Nadda |
Sheet Music (Key of F) |
melissaBb |
2 credits |
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Medium speed Arab song in G hijaz, uses Saidi rhythm primarily. |
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A Nadda |
Sheet Music (Bass Clef B Flat) |
melissaBb |
2 credits |
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TROMBONE OR EUPHONIUM - Bass clef in B flat |
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A Nadda |
Sheet Music (Bass Clef) |
melissaBb |
2 credits |
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Bass clef notation for Arab debke song. |
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A Nadda |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Medium speed Arab song in G hijaz, uses Saidi rhythm primarily. |
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Dems or Vamps |
Sheet Music (Concert C) |
melissaBb |
FREE! |
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Here is the list of dems or vamps that are played in support of a taksim (solo improvisation). Most of the songs played are in the key of D, G or A, so the dems reflect that. The dems are organized by rhythm. |
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Dems or Vamps |
Sheet Music (B Flat) |
melissaBb |
FREE! |
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Here is the list of dems or vamps that are played in support of a taksim (solo improvisation). Most of the songs played are in the key of D, G or A, so the dems reflect that. The dems are organized by rhythm. |
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Dems or Vamps for Bass Clef |
Sheet Music (Bass Clef) |
melissaBb |
FREE! |
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How to start the drummers or what to play when someone is taking a taksim. |
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Dems or vamps for E Flat |
Sheet Music (E Flat) |
melissaBb |
FREE! |
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How to start the drummers or what to play when someone is taking a taksim! |
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Doumbek Rhythm Cheat Sheet |
Sheet Music (Concert C) |
Carmine |
FREE! |
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A whole bunch of Doumbek rhythms with Doum, Tek, Ka notation. Rhythms are in 4/4, 2/4, 8/4, 6/8, 7/8 and 9/8 10/8. Print this bad boy out and keep it handy in your doumbek bag. |
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Hadouni Hadouni |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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TROMBONE OR EUPHONIUM -- Bass clef in B flat |
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Hadouni Hadouni |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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Fast Arabic song in D Bayati (E half-flat quarter tone). Saidi to malfuf rhythm change with call and answer segment. |
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Hadouni Hadouni |
Sheet Music (Guitar Tab) |
jeff-mars |
2 credits |
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Hadouni Hadouni in guitar Tab format. A short easy-to-play song. |
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Hadouni Hadouni |
Sheet Music (Bass Clef) |
melissaBb |
2 credits |
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Arab medium speed song in D bayati, with E flat microtone. The E is 5 coma flat, slightly more that 50% flat. The music is notated as an E full flat. Saidi rhythm and malfuf fill with break. Standard sheet music in bass clef. |
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Hadouni Hadouni |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Medium tempo Arab song using saidi rhythm with 4 beat malfuf fill. In concert D Bayati with an E slightly more than half flat. For Bflat instruments the makam is E Bayati with an F slightly more than half natural from the F sharp. |
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Hadouni Hadouni |
Sheet Music (Key of F) |
melissaBb |
2 credits |
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Arab medium speed song in D bayati, with E flat microtone. The E is 3 coma flat, slightly more that 50% flat. The music is notated as an E full flat. Saidi rhythm and malfuf fill with break. Standard sheet music for F instruments. |
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Hadouni Hadouni |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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Arab medium speed song in D bayati, with E flat microtone. The E is 3 coma flat, slightly more that 50% flat. The music is notated as an E full flat. Saidi rhythm and malfuf fill with break. |
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Iste Hendek |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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This is a psychedelic classic rock song from Turkey written and performed by Baris Manco in 1971. I put it in concert G Ussak for lack of a better makam, though the A isn't flattened at all in the sound file (flatten the A for taksims). The rhythm is a rock beat, but saidi will substitute. |
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Iste Hendek |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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This is a psychedelic classic rock song from Turkey written and performed by Baris Manco in 1971. I put it in G Ussak for lack of a better makam, though the A isn't flattened at all in the sound file (flatten for taksims). The rhythm is a rock beat, but saidi will substitute. |
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Nassam Alayna Al Hawa |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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**FOR VIOLIN AND FLUTE** Made famous by the singer Fairuz. This arrangement, scored by Melissa Murphey, is from a Turkish recording and involves exciting breaks and rhythm changes from saidi to malfuf. Can be heard on the forthcoming release by Ishtar called BellyRock. www.ishtar-music.com |
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Nassam Alayna Al Hawa |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Made famous by the singer Fairuz. This arrangement, scored by Melissa Murphey, is from a Turkish recording and involves exciting breaks and rhythm changes from saidi to malfuf. Can be heard on the forthcoming release by Ishtar called BellyRock. www.ishtar-music.com |
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Shashkin |
Sheet Music (Guitar Tab) |
jeff-mars |
2 credits |
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Shashkin in Guitar Tab format. Also known as Ya Ein Moulayytin (Arab) |
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Shashkin |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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Also known as Ya Ein Moulayytin in Arab countries. In D Ussak/bayati. The E is 5 koma flat, slightly more than half flat. This popular debke and cane dance uses a modified saidi rhythm (TkD TkD Dtk Ttk) and changes to malfuf. Taksims use the modified saidi rhythm. Traditionally played at mid tempo with a dramatic speed-up. This version includes the Raquy and the Cavemen alternate ending. |
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Shashkin |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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Also known as Ya Ein Moulayytin in Arab countries. In D Ussak/bayati. The E is 5 koma flat, slightly more than half flat. For Alto Sax, the C would be more natural than sharp. However the sheet music is notated with a C natural for ease of learning. This popular debke and cane dance uses a modified saidi rhythm (TkD TkD Dtk Ttk) and changes to malfuf. Taksims use the modified saidi rhythm. Traditionally played at mid tempo with a dramatic speed-up. This version includes the Raquy and the Cavemen alternate ending. |
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Shashkin |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Also known as Ya Ein Moulayytin in Arab countries. In Concert D Ussak/bayati. The B Flat notation uses a 5 koma F natural, slightly more than half natural from the sharp. This popular debke and cane dance uses a modified saidi rhythm (TkD TkD Dtk Ttk) and changes to malfuf. Taksims use the modified saidi rhythm. Traditionally played at mid tempo with a dramatic speed-up. This version includes the Raquy and the Cavemen alternate ending. |
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A Nadda |
Audio (mp3) |
melissaBb |
1 credit |
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Practice track! In G hijaz using saidi rhythm.
From the CD: Simplified Middle Eastern Songs for Learning and Practice, Volume 2, by Melissa Murphey and Carmine T. Guida.
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Hadouni Hadouni practice MP3 |
Audio (mp3) |
melissaBb |
1 credit |
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In D bayati, using saidi and malfuf rhythm. From the CD: Simplified Middle Eastern Songs for Learning and Practice, Volume 1, by Melissa Murphey and Carmine T. Guida. |
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Saskin practice MP3 |
Audio (mp3) |
melissaBb |
1 credit |
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In D bayati, using saidi and malfuf rhythms. From the CD: Simplified Middle Eastern Songs for Learning and Practice, Volume 1, by Melissa Murphey and Carmine T. Guida. |
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