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Common maqam list |
Sheet Music (Concert C) |
melissaBb |
FREE! |
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List of commonly used maqams. |
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Common maqams |
Sheet Music (B Flat) |
melissaBb |
FREE! |
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Common maqam list transposed for B flat instruments. Time to break out your clarinet and trumpet! Note: if an oud player is playing D hijaz, the B flat clarinet player is actually playing E hijaz notes on the sheet music, but the tones coming from the horn is D hijaz. |
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Common Maqams |
Sheet Music (Bass Clef) |
melissaBb |
FREE! |
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Common maqams in bass clef notation. |
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Common Maqams for B flat Bass clef |
Sheet Music (B Flat) |
melissaBb |
FREE! |
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TROMBONE OR EUPHONIUM. Bass clef in B flat |
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Common Maqams for E Flat Instruments |
Sheet Music (E Flat) |
melissaBb |
FREE! |
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Common maqams for E Flat instruments. Names of keys are in concert designation, however, the notes are transposed for E Flat. |
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Common Maqams for F instruments |
Sheet Music (Key of F) |
melissaBb |
FREE! |
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Common maqams transposed for key of F instruments. Based on Alto Recorder range. |
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Common Maqams for guitar |
Sheet Music (Guitar Tab) |
jeff-mars |
FREE! |
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A list of the most common scales- D & G Hijaz, D Hijazkar, D Kurd, D, G & A Nihavent/Nahawand, D & G Ussak/Bayati. in guitar TAB format. |
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Hadouni Hadouni |
Sheet Music (Guitar Tab) |
jeff-mars |
2 credits |
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Hadouni Hadouni in guitar Tab format. A short easy-to-play song. |
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Hadouni Hadouni |
Sheet Music (Bass Clef) |
melissaBb |
2 credits |
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Arab medium speed song in D bayati, with E flat microtone. The E is 5 coma flat, slightly more that 50% flat. The music is notated as an E full flat. Saidi rhythm and malfuf fill with break. Standard sheet music in bass clef. |
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Hadouni Hadouni |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Medium tempo Arab song using saidi rhythm with 4 beat malfuf fill. In concert D Bayati with an E slightly more than half flat. For Bflat instruments the makam is E Bayati with an F slightly more than half natural from the F sharp. |
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Hadouni Hadouni |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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TROMBONE OR EUPHONIUM -- Bass clef in B flat |
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Hadouni Hadouni |
Sheet Music (Key of F) |
melissaBb |
2 credits |
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Arab medium speed song in D bayati, with E flat microtone. The E is 3 coma flat, slightly more that 50% flat. The music is notated as an E full flat. Saidi rhythm and malfuf fill with break. Standard sheet music for F instruments. |
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Hadouni Hadouni |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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Fast Arabic song in D Bayati (E half-flat quarter tone). Saidi to malfuf rhythm change with call and answer segment. |
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Hadouni Hadouni |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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Arab medium speed song in D bayati, with E flat microtone. The E is 3 coma flat, slightly more that 50% flat. The music is notated as an E full flat. Saidi rhythm and malfuf fill with break. |
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Iste Hendek |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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This is a psychedelic classic rock song from Turkey written and performed by Baris Manco in 1971. I put it in G Ussak for lack of a better makam, though the A isn't flattened at all in the sound file (flatten for taksims). The rhythm is a rock beat, but saidi will substitute. |
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Iste Hendek |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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This is a psychedelic classic rock song from Turkey written and performed by Baris Manco in 1971. I put it in concert G Ussak for lack of a better makam, though the A isn't flattened at all in the sound file (flatten the A for taksims). The rhythm is a rock beat, but saidi will substitute. |
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Istemem Babacim |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Fast Turkish folk song in concert G Ussak. Rhythm is entirely malfuf. |
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Istemem Babacim |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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Fast Turkish tune in G Ussak with an A half flat. Rhythm is malfuf. |
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Istemem Babacim |
Sheet Music (Guitar Tab) |
jeff-mars |
2 credits |
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Tablature for guitar- Drop D tuning |
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Istemem Babacim |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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Fast Turkish folk song in concert G Ussak. Rhythm is entirely malfuf. Optional shout out. |
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Leilet Hob |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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The definitive Arab classic. 3 pages long and includes free form intro. Rhythms used: baladi, malfuf, maqsum and 6/8.
**NOTE** Some notes in this version are scored too low for violin and flute. This version is based on the range of oud and kanun. |
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Leilet Hob |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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For VIOLIN and FLUTE!
This sheet music version of the Arab classic Leilet hob is modified for higher pitch instruments like violin and flute. Some portions of the song are transcribed an octave higher to accomodate the range of these instruments. |
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Mastika |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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Fun Turkish drinking song about the alcohol of the same name. Uses karsilama rhythm and is in A Ussak. |
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Mastika |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Fun Turkish drinking song about the alcohol of the same name. Uses karsilama rhythm and is in concert A Ussak. |
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Shashkin |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Also known as Ya Ein Moulayytin in Arab countries. In Concert D Ussak/bayati. The B Flat notation uses a 5 koma F natural, slightly more than half natural from the sharp. This popular debke and cane dance uses a modified saidi rhythm (TkD TkD Dtk Ttk) and changes to malfuf. Taksims use the modified saidi rhythm. Traditionally played at mid tempo with a dramatic speed-up. This version includes the Raquy and the Cavemen alternate ending. |
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Shashkin |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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Also known as Ya Ein Moulayytin in Arab countries. In D Ussak/bayati. The E is 5 koma flat, slightly more than half flat. This popular debke and cane dance uses a modified saidi rhythm (TkD TkD Dtk Ttk) and changes to malfuf. Taksims use the modified saidi rhythm. Traditionally played at mid tempo with a dramatic speed-up. This version includes the Raquy and the Cavemen alternate ending. |
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Shashkin |
Sheet Music (Guitar Tab) |
jeff-mars |
2 credits |
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Shashkin in Guitar Tab format. Also known as Ya Ein Moulayytin (Arab) |
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Shashkin |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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Also known as Ya Ein Moulayytin in Arab countries. In D Ussak/bayati. The E is 5 koma flat, slightly more than half flat. For Alto Sax, the C would be more natural than sharp. However the sheet music is notated with a C natural for ease of learning. This popular debke and cane dance uses a modified saidi rhythm (TkD TkD Dtk Ttk) and changes to malfuf. Taksims use the modified saidi rhythm. Traditionally played at mid tempo with a dramatic speed-up. This version includes the Raquy and the Cavemen alternate ending. |
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Shisheler |
Sheet Music (Guitar Tab) |
jeff-mars |
2 credits |
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Shisheler in guitar Tab format. Drop D tuning |
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Shisheler |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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Fast song in G ussak with A played 5 koma flat. For E Flat instruments, the F is 5 koma toward the natural from F sharp. Rhythm is predominately malfuf with a short change to ayoob and back to malfuf. Taksims use malfuf rhythm. |
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Shisheler |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Fast song in concert G ussak. Predominately malfuf rhythm with short change to ayoob and back to malfuf. |
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Shisheler |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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Fast song in G ussak with A half-flat quarter tone. Predominately malfuf rhythm whith short change to ayoob and back to malfuf. |
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Hadouni Hadouni practice MP3 |
Audio (mp3) |
melissaBb |
1 credit |
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In D bayati, using saidi and malfuf rhythm. From the CD: Simplified Middle Eastern Songs for Learning and Practice, Volume 1, by Melissa Murphey and Carmine T. Guida. |
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Istemem Babacim practice MP3 |
Audio (mp3) |
melissaBb |
1 credit |
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In G ussak, using malfuf rhythm. From the CD: Simplified Middle Eastern Songs for Learning and Practice, Volume 1, by Melissa Murphey and Carmine T. Guida. |
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Saskin practice MP3 |
Audio (mp3) |
melissaBb |
1 credit |
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In D bayati, using saidi and malfuf rhythms. From the CD: Simplified Middle Eastern Songs for Learning and Practice, Volume 1, by Melissa Murphey and Carmine T. Guida. |
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Siseler practice MP3 |
Audio (mp3) |
melissaBb |
1 credit |
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In G ussak, using malfuf and ayub rhythms. From the CD: Simplified Middle Eastern Songs for Learning and Practice, Volume 1, by Melissa Murphey and Carmine T. Guida. |
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