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A Nadda |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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Medium speed Arab song in G hijaz, uses Saidi rhythm primarily. |
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Aziza |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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The classic bellydance song in sheet music format. Played in D Kurd with a tempo and key change. |
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Hadouni Hadouni |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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Arab medium speed song in D bayati, with E flat microtone. The E is 3 coma flat, slightly more that 50% flat. The music is notated as an E full flat. Saidi rhythm and malfuf fill with break. |
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Hine Ma Tov |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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A common Jewish tune, based on a Syrian melody. Played in the key of D and uses the baladi rhythm. |
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Hine Ma Tov |
Sheet Music (Key of F) |
melissaBb |
2 credits |
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A common Jewish tune, based on a Syrian melody. Played in the key of D and uses the baladi rhythm. |
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Hine Ma Tov |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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A common Jewish tune, based on a Syrian melody. Played in the key of D and uses the baladi rhythm. |
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Lamma Bada Yatathanna |
Sheet Music (Bass Clef) |
melissaBb |
2 credits |
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Arab song in G Nahawand using semai rhythm. Sheet music for bass clef instruments. |
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Lamma Bada Yatathanna |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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Arab song in G nahawand using semai rhythm. |
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Lamma Bada Yatathanna |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Arab song in G Nahawand using the semai rhythm. Sheet music for B flat instruments. |
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Lamma Bada Yatathanna |
Sheet Music (E Flat) |
melissaBb |
2 credits |
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Arab song in concert G nahawand using semai rhythm. |
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Leilet Hob |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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The definitive Arab classic. 3 pages long and includes free form intro. Rhythms used: baladi, malfuf, maqsum and 6/8.
**NOTE** Some notes in this version are scored too low for violin and flute. This version is based on the range of oud and kanun. |
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Leilet Hob |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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For VIOLIN and FLUTE!
This sheet music version of the Arab classic Leilet hob is modified for higher pitch instruments like violin and flute. Some portions of the song are transcribed an octave higher to accomodate the range of these instruments. |
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Nassam Alayna Al Hawa |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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**FOR VIOLIN AND FLUTE** Made famous by the singer Fairuz. This arrangement, scored by Melissa Murphey, is from a Turkish recording and involves exciting breaks and rhythm changes from saidi to malfuf. Can be heard on the forthcoming release by Ishtar called BellyRock. www.ishtar-music.com |
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Nassam Alayna Al Hawa |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Made famous by the singer Fairuz. This arrangement, scored by Melissa Murphey, is from a Turkish recording and involves exciting breaks and rhythm changes from saidi to malfuf. Can be heard on the forthcoming release by Ishtar called BellyRock. www.ishtar-music.com |
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Shashkin |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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Also known as Ya Ein Moulayytin in Arab countries. In D Ussak/bayati. The E is 5 koma flat, slightly more than half flat. This popular debke and cane dance uses a modified saidi rhythm (TkD TkD Dtk Ttk) and changes to malfuf. Taksims use the modified saidi rhythm. Traditionally played at mid tempo with a dramatic speed-up. This version includes the Raquy and the Cavemen alternate ending. |
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Shashkin |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Also known as Ya Ein Moulayytin in Arab countries. In Concert D Ussak/bayati. The B Flat notation uses a 5 koma F natural, slightly more than half natural from the sharp. This popular debke and cane dance uses a modified saidi rhythm (TkD TkD Dtk Ttk) and changes to malfuf. Taksims use the modified saidi rhythm. Traditionally played at mid tempo with a dramatic speed-up. This version includes the Raquy and the Cavemen alternate ending. |
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Zeina |
Sheet Music (Concert C) |
melissaBb |
2 credits |
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Arab song in D hijaz using Baladi and Ayoob rhythms. Also has a major tempo change. |
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Zeina |
Sheet Music (B Flat) |
melissaBb |
2 credits |
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Arab song in D hijaz using Baladi and Ayoob rhythms. Also has a major tempo change. |
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